Omni Die, Dic Mariae (“Daily, daily, sing to Mary”)
Translation: Fr. Henry Bittleston, Oratorian
Text only—can be used with any 87 87 D
Page 769
Page 770
Per Te Mundus Laetabundus (“Thou, when deepest night infernal”)
Translation: Fr. Edward Caswall, Oratorian
Tune: “Domhnach Trionoide” • 87 87 D
Page 771
Mater Facta, Sed Intacta (“Mother, yet a stainless Virgin”)
Translation: Based on Thomas Isaac Ball
Tune: “Hymn To Joy” • 87 87 D
Pages 712-713
“To Thee, O Gracious Father” by Fr. Christopher G. Phillips
Tune: “Thaxted” • 13 13 13 13 14 14
Page 703
O Filii Et Filiae (“Ye sons and daughters of the Lord”)
Translation: Fr. Edward Caswall, Oratorian
Tune: “O Filii Et Filiae” • 888 A
Complete verses in Latin are included alongside the English.
Page 704
“Hail The Day That Sees Him Rise”
Text: After Charles Wesley and Thomas Cotterill.
Tune: “Llanfair” • 77 77 A
Page 699
Surrexit Christus Hodie (“Jesus Christ is risen today”)
Tune: “Easter Hymn” • 77 77 A
Page 673
Puer Natus Est Nobis (“Bright and joyful is the morn”)
Based on the Introit for the Christmas Daytime Mass, which comes from Isaias 9.6.
Second Tune: “Llanfair” • 77 77 A
Page 669
“God Rest You Merry, Gentlemen”
The meaning of “God rest you merry” is “God keep you merry.” Note the archaic use of the word rest (“keep”)—indeed, this carol probably dates from the 16th century.
Tune: “God Rest You Merry” • 86 86 86 R
Page 658
“Lo! he comes with clouds descending” by John Cennick
Tune: “Helmsley” • 87 87 47
