Omni Die, Dic Mariae (“Daily, daily, sing to Mary”)
Translation: Fr. Henry Bittleston, Oratorian
Text only—can be used with any 87 87 D
Page 769
Page 768
Omni Die, Dic Mariae (“Daily, daily, sing to Mary”)
Translation: Fr. Henry Bittleston, Oratorian
Tune: “Laudes Mariae” • 87 87 D
Page 756
“Christ Is King Of Earth And Heaven” by Fr. Ivor Daniel
Tune: “Rustington” • 87 87 D
Page 752
“Crown Him With Many Crowns” by Matthew Bridges
Tune: “Diademata” • S. M. D.
Page 734
Panis Angelicus, Fit Panis Hominum
Translation: Textus originalis Latinus
These are the final Verses of “Sacris Solemniis” by St. Thomas Aquinas
Tune: “Charleroi” • 12 12 12 8
Page 724
O Pater Sancte, Mitis Atque Pie (“Father most holy, gracious and forgiving”)
Translation: Msgr. Ronald A. Knox
Tune: “Iste Confessor” • 11 11 11 5
Page 696
Vita Sanctorum, Decus Angelorum (“Life of thy saints and glory of thine angels”)
Translation: Alan Gordon McDougall
Tune: “Kenmore” • 11 11 11 5
Page 692
Meditationes Divi Augustini (“Ah, Holy Jesus, How Hast Thou Offended?”)
Translation: Robert Bridges
Tune: “Herzliebster Jesu” • 11 11 11 5
Page 678
Stille Nacht (“Silent Night, Holy Night”)
This German text was composed by Fr. Josef Mohr, a Catholic priest who died in 1848. He should not be confused with a Jesuit priest, Fr. Josef Hermann Mohr (d. 1892), who published many German hymnals. The English translation (“Silent Night”) was composed by John Freeman Young.
Tune: “Stille Nacht” • 66 88 66
Page 658
“Lo! he comes with clouds descending” by John Cennick
Tune: “Helmsley” • 87 87 47
