Page 818 “Love Divine, All Loves Excelling” by Charles Wesley First Tune: “Rustington” • 87 87 D 87 87 D
Page 771 Mater Facta, Sed Intacta (“Mother, yet a stainless Virgin”) Translation: Based on Thomas Isaac Ball Tune: “Hymn To Joy” • 87 87 D 87 87 D
Page 770 Per Te Mundus Laetabundus (“Thou, when deepest night infernal”) Translation: Fr. Edward Caswall, Oratorian Tune: “Domhnach Trionoide” • 87 87 D 87 87 D
Page 769 Omni Die, Dic Mariae (“Daily, daily, sing to Mary”) Translation: Fr. Henry Bittleston, Oratorian Text only—can be used with any 87 87 D 87 87 D
Page 768 Omni Die, Dic Mariae (“Daily, daily, sing to Mary”) Translation: Fr. Henry Bittleston, Oratorian Tune: “Laudes Mariae” • 87 87 D 87 87 D
Page 756 “Christ Is King Of Earth And Heaven” by Fr. Ivor Daniel Tune: “Rustington” • 87 87 D 87 87 D
Page 723 “We Pray Thee, Heavenly Father” Based on a work by Vincent S. Coles Tune: “Thaxted” • 13 13 13 13 13 14 13 13 13 13 13 14
Page 671 “Adeste Fideles, Laeti Triumphantes” by John Francis Wade Translation: Textus originalis Latinus Tune: “Adeste Fideles” • 11 9 11 R 11 9 11 R
Page 670 Adeste Fideles, Laeti Triumphantes (“God rest you merry, Gentlemen”) Translation: Fr. Frederick Oakeley, Canon of Westminster Cathedral Tune: “Adeste Fideles” • 11 9 11 R 11 9 11 R
Page 669 “God Rest You Merry, Gentlemen” The meaning of “God rest you merry” is “God keep you merry.” Note the archaic use of the word rest (“keep”)—indeed, this carol probably dates from the 16th century. Tune: “God Rest You Merry” • 86 86 86 R 86 86 86 R