“Love Divine, All Loves Excelling” by Charles Wesley
First Tune: “Rustington” • 87 87 D
Page 818
Page 771
Mater Facta, Sed Intacta (“Mother, yet a stainless Virgin”)
Translation: Based on Thomas Isaac Ball
Tune: “Hymn To Joy” • 87 87 D
Page 770
Per Te Mundus Laetabundus (“Thou, when deepest night infernal”)
Translation: Fr. Edward Caswall, Oratorian
Tune: “Domhnach Trionoide” • 87 87 D
Page 769
Omni Die, Dic Mariae (“Daily, daily, sing to Mary”)
Translation: Fr. Henry Bittleston, Oratorian
Text only—can be used with any 87 87 D
Page 768
Omni Die, Dic Mariae (“Daily, daily, sing to Mary”)
Translation: Fr. Henry Bittleston, Oratorian
Tune: “Laudes Mariae” • 87 87 D
Page 756
“Christ Is King Of Earth And Heaven” by Fr. Ivor Daniel
Tune: “Rustington” • 87 87 D
Page 723
“We Pray Thee, Heavenly Father”
Based on a work by Vincent S. Coles
Tune: “Thaxted” • 13 13 13 13 13 14
Page 671
“Adeste Fideles, Laeti Triumphantes” by John Francis Wade
Translation: Textus originalis Latinus
Tune: “Adeste Fideles” • 11 9 11 R
Page 670
Adeste Fideles, Laeti Triumphantes (“God rest you merry, Gentlemen”)
Translation: Fr. Frederick Oakeley, Canon of Westminster Cathedral
Tune: “Adeste Fideles” • 11 9 11 R
Page 669
“God Rest You Merry, Gentlemen”
The meaning of “God rest you merry” is “God keep you merry.” Note the archaic use of the word rest (“keep”)—indeed, this carol probably dates from the 16th century.
Tune: “God Rest You Merry” • 86 86 86 R
