6th century — Pange Lingua Gloriosi (“Come then, my soul, and gladly sing”)
Translation: Historic Roman Catholic Translation • 1670AD
Tune: “Innsbruck M8” • 886 D
Page 334
Page 149
Ave Vivens Hostia (“Hail, true Victim, life and light”)
Translation: Msgr. Ronald A. Knox
Text only—can be used with any 76 76 D (Trochaic)
Page 853
“Praise To The Lord, The Almighty”
Text by Joachim Neander; translation from German by Catherine Winkworth
Tune: “Lobe Den Herren” • 14 14 4 7 8
Page 799
“The King Of Love My Shepherd Is”
Paraphrase of Psalm 22 by Sir Henry Williams Baker
Tune: “St Columba 7M” • 87 87 Iambic
Page 776
“Immaculate Mary, Thy Praises We Sing”
Both versions of the Refrain are provided; either can be chosen.
Tune: “Lourdes Hymn” • 65 65 R
Page 759
“To Jesus Christ, Our Sovereign King” by Fr. Martin B. Hellriegel
Tune: “Ich Glaub An Gott” • 87 87 R Iambic
Page 710
Qui Procedis Ab Utroque (“Holy Paraclete, life-giver”)
Translation: Msgr. Ronald A. Knox
Tune: “Alles Ist An Gottes Segen” • 887 D
Page 678
Stille Nacht (“Silent Night, Holy Night”)
This German text was composed by Fr. Josef Mohr, a Catholic priest who died in 1848. He should not be confused with a Jesuit priest, Fr. Josef Hermann Mohr (d. 1892), who published many German hymnals. The English translation (“Silent Night”) was composed by John Freeman Young.
Tune: “Stille Nacht” • 66 88 66
Page 663
“Hark! The Herald Angels Sing” by Charles Wesley
Tune: “Mendelssohn” • 77 77d R
Page 670
Adeste Fideles, Laeti Triumphantes (“God rest you merry, Gentlemen”)
Translation: Fr. Frederick Oakeley, Canon of Westminster Cathedral
Tune: “Adeste Fideles” • 11 9 11 R
