Discendi, Amor Santo (“Come down, O love divine”)
Bianco da Siena; translated from Italian by Richard Frederick Littledale.
Tune: “Down Ampney” • 6 6 11 D
Page 709
Page 674
Puer Natus Est Nobis (“Bright and joyful is the morn”)
Based on the Introit for the Christmas Daytime Mass, which comes from Isaias 9.6.
Third Tune: “Culbach” • 77 77
Page 675
Puer Natus Est Nobis (“Bright and joyful is the morn”)
Text only—can be used with any 77 77
Page 684
“Forty Days And Forty Nights” by George Hunt Smyttan
Tune: “Aus Der Tiefe” • 77 77
Page 672
Puer Natus Est Nobis (“Bright and joyful is the morn”)
Based on the Introit for the Christmas Daytime Mass, which comes from Isaias 9.6.
First Tune: “All Saints 8B” • 77 77
Page 685
“Lord, Who Throughout These Forty Days” by Claudia Frances Hernaman
Tune: “St Flavian” • 86 86 (CM)
Page 669
“God Rest You Merry, Gentlemen”
The meaning of “God rest you merry” is “God keep you merry.” Note the archaic use of the word rest (“keep”)—indeed, this carol probably dates from the 16th century.
Tune: “God Rest You Merry” • 86 86 86 R
Page 655
En Clara Vox Redarguit (“Hark! a voice, in urgent warning”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
Tune: “Merton” • 87 87
Page 661
“Come, Thou Long-Expected Jesus” by Charles Wesley
Tune: “Cross of Jesus” • 87 87
A “text only version” is included at page bottom, providing melodic flexibility.
Page 664
“Joy To The World” by Isaac Watts
Tune: “Antioch” • 86 86 (CM)
